Case Studies + #000. Overture
#001. Italian Day On The Drive
#002. Federico's Supper Club
#003. National Forming Systems
#004. Augusta Resources
#005. Great Pacific Bio
#006. AMT Group
#007. Toni Cavelti
#008. Arthur Charles Erickson
#009. Unit Electrical Engineering
#010. Wismer and Rawlings
#011. Mechanical Design Studio
#012. Gardening Unlimited
#013. Fluid Industries
#014. IDC Insurance Direct
#015. Boundary Bay Airport
#016. The Beltshop
#017. Patronat Catala Pro Europa
#018.Vancouver Gas Fireplaces
#019. Netfone
#020. Diamond Sea Glaze
#021. Alpha Aviation
#022. Avalon
#023. Arpac
#024. Creative Thinking Vancouver
#025. Karma Optical
#026. First Nations
#027. Grec Festival - Barcelona
#028. Chandler Associates
#029. Art On Screen
#030. Balgord
#031. Dynamic Solutions
#032. Elite
#033. Minco Silver
#034. Peak Accounting
#035. Time Pieces Watch Design
#036. Renzullo Food Market
#037. EWA Software Solutions
#038. A&W
Client
Barcelona Media Design
AgencyBarcelona Media Design
Creative Director Dragan Nikodijevic
TasksNative Design
Barcelona Media Design +
Motion Graphics
Corporate Identity Development
Web Design
Graphic Design
Photography
About BMD
| Case Studies #026 First Nations |
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UNDERSTANDING NATIVE ART It was in Barcelona that I did these drawings. Having visited British Columbia for the first time at the beginning of the nineties I was enchanted by the First Nation art and of course, a visit to the Museum of Anthropology made me fall in love with everything I had seen there. At that time I knew very little about Bill Reid and it would take almost twenty years to get to know Toni Cavelti, who was very close friend of Bill’s, to find out much more about Native art of the North West Pacific Coast. Only then, I realized that the drawings I did in Barcelona had nothing to do with a profound meaning and connection with the land that First Nation artist convey by making their art and that the aesthetic layer is just one small part of it. Native Design       |
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