Case Studies + #000. Overture #001. Italian Day On The Drive #002. Federico's Supper Club #003. National Forming Systems #004. Augusta Resources #005. Great Pacific Bio #006. AMT Group #007. Toni Cavelti #008. Arthur Charles Erickson #009. Unit Electrical Engineering #010. Wismer and Rawlings #011. Mechanical Design Studio #012. Gardening Unlimited #013. Fluid Industries #014. IDC Insurance Direct #015. Boundary Bay Airport #016. The Beltshop #017. Patronat Catala Pro Europa #018.Vancouver Gas Fireplaces #019. Netfone #020. Diamond Sea Glaze #021. Alpha Aviation #022. Avalon #023. Arpac #024. Creative Thinking Vancouver #025. Karma Optical #026. First Nations #027. Grec Festival - Barcelona #028. Chandler Associates #029. Art On Screen #030. Balgord #031. Dynamic Solutions #032. Elite #033. Minco Silver #034. Peak Accounting #035. Time Pieces Watch Design #036. Renzullo Food Market #037. EWA Software Solutions #038. A&W
	Client Barcelona Media Design Agency Barcelona Media Design Creative Director Dragan Nikodijevic Tasks Homage to Andrei Tarkovsky Barcelona Media Design + Motion Graphics Corporate Identity Development Web Design Graphic Design Photography About BMD	Case Studies #000 Overture   WHAT IS SO UNIQUE ABOUT CASE STUDIES? Rather then using the usual blurbs that “better” explain individual projects  “we did this for them” or  “they said we were the best”, the comments you’ll find along the featured samples are more like blog articles inspired by everyday work. Some of the illustrations are directly related to the blog but that is not always the case. On some pages they are merely a design sample.  · GIVING BACK TO THE COMMUNITY · BE ITALIAN · TIME IS (not) ON MY SIDE · MAJORITY REPORT · WHO DO YOU TRUST? · WHAT REALLY HAPPENED? · DIAMONDS ARE FOREVER, BUT... · THE RADIO INTERVIEW · PROCESS – HOW LONG DOES IT TAKE? · ABOUT HANDWRITING AND BIRTHDAYS · I HAVE AN IDEA!!! · DO YOU REMEMBER KODACHROME? · LIKE WHAT YOU DO? LUCKY? · COLOUR CONSISTENCY · MATERIAL THAT INSPIRES · HOW BIG IS YOUR COMPANY? · PAINTING A BIG PICTURE · WHAT IS YOUR PORTFOLIO MADE OF? · IS IT DONE? · WE LIKE EVERYTHING BUT… · THE IMPORTANCE OF A GOOD BRIEFING · A WORD OR TWO ABOUT COMPETITION · HOW MUCH DOES IT COST TO… · 12 CONVERSATIONS ABOUT CREATIVITY · WHO DO WE HELP · UNDERSTANDING NATIVE ART · SATYR, OR BEING CONCEPTUAL · BUILDING RELATIONSHIPS · ABSTRACT EXCERCISES · iDREAMS · 401 DESIGN MEDITATIONS · WHERE DOES THE INSPIRATION COME FROM? · BIG OR SMALL? · CORE VALUES · 32 mm OF DESIGN SPACE · COPY OR DESIGN? WHAT COMES FIRST? · HOW MANY VERSIONS IS ENOUGH? · WORKING WITH AN ESTABLISHED BRAND Homage to Andrei Tarkovsky Every project is a journey on its own. There is a starting point, desire or need to reach certain goals, then there is a creative process and, eventually, there is a finished product. Along that journey there are lots of challenges. There are good and bad ideas, endless ways to do something well and to spoil it, there are time constrains and limited budgets, but, the most importantly, there is a will to make something extraordinary and that is what really matters.  Before we start that journey we don't know how is this going to end up but we hope that our experience and our knowledge are going to make the best out of it.  In 1973, Russian director Andrei Tarkovsky made a movie called Andrei Rublev about  a monk/fresco painter who travels around the early fifteen century Russia. In one of the stories (The Bell Casting) a young boy takes on a big challenge of casting the most beautiful bell that his kingdom has ever seen.  But, will it ring? Adrei Rublev Screenshots I have shown this part of the movie to many of my clients hoping that it would make them reflect in a more conceptual way on what we are about to achieve and their reactions are different all the time. It is just like the creative process itself.